Your selections:
The Problem of "America" in 'Éloge de l’amour'
Starch-based films: major factors affecting their properties
- Thakur, Rahul, Pristijono, Penta, Scarlett, Christopher J., Bowyer, Michael, Singh, S. P., Vuong, Quan V.
The return of the 1920s: an examination of the twenty first century revival
A 'logical' explanation of screen production as method-led research
- Hamilton, Emma L., Rolls, Alistair, Sitbon, Clara
- Batty, Craig, Kerrigan, Susan
Shoestring theory - pragmatism and bricolage in microbudget feature filmmaking
Using Practitioner Based Enquiry (PBE) to examine screen production as a form of creative practice
Introduction. Editors on auteurs: thoughts on auteurism from the frontier
- Hamilton, Emma, Rolls, Alistair
"Nostalgia for Eden": Joseph Kosinski's Oblivion, an apocalyptic genesis
Australian feature films and distribution: industry or cottage industry?
- Maher, Sean, Silver, Jon, Kerrigan, Susan
Designing the Song and Dance Sequences: Exploring Bollywood’s Cinematic Creativity
- Kishore, Vikrant, Kerrigan, Susan
Producing revolutionary history on film: Henri Lefebvre's urban space and Peter Watkins' La Commune (Paris, 1871)
The viewing room: a lens for developing ethical comportment
- McAllister, Margaret, Levett-Jones, Tracy, Petrini, Marcia A., Lasater, Kathie
"Australia. What fresh hell is this?": conceptualizing the Australian Western in 'The Proposition'
- Wing-Fai, Leung, Gill, Rosalind, Randle, Keith
On slippery ground: Robert Altman, beyond Hollywood or modernism
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